This paper focuses on the first book of poetry by Milosz, published in 1899, as a kind of synthesis but also exhaustion of the decadentist esthetic. Milosz does actually not only write this book to illustrate the beauty of decadence, as the fin-de-siècle perceives it, but also to lead it to its ultimate consequence, that is to say an approach to silence.
Pobierz pliki
Zasady cytowania
English
Język Polski
Français (France)
Limba Română