Nazvy barev vprirovndnich v textech soućasne ćestiny (na materiale Ceskeho ndrodmho korpusu)

Ivana Kolářová




Abstract

There are parables with the names of colours in Czech that compare the “colour of people - of the human face, human skin”, of the colour of anything else to the colour of anything in naturę, of natural scenery: to the colour of plants (fiuty jako pampeliśka — as yellow as a dandelion, źluty jako citron — as yellow as a lemon / lemon coloured), to the colours of animals or birds (fiuty jako kanarek - as yellow as a canary / canary coloured) or to the colours of anything else in natural scenery (śedy jako morę - as grey as a billów, śedy jako hvezdny vecer/hvezdne nebe - as grey as an evening sky with stars), or the parables can compare the colour of the human body (face) to the colour of some things fiuty jako vosk — as yellow as a wax /, źluty jako pergamen - as yellow as vellum, źluty jako pivo - as yellow as a beer, śedy jako ocel — as grey as steel/steel-grey, śedy jako popel - as grey as ashes / cinereous). Authors of belles-lettres or of poetry using parable-comparison aROVAwith the words źluty / yellow usually depict the human visage as a symptom of illness or caducity (jeho oblićej byl źluty jako vosk - his face was yellow as wax' byl źluty jako per- gamen - he wasyellow as vellum) or they etiolate the people (zuby mel źlutejako citron - his teeth were lemon yellowed, dostał źloutenku a byl źluty jako kanarek - he suffered from jaundice and was canary coloured). Using the word śedy / grey in parable-compari- son authors sometimes depict people of nasty appearance (oblićej śedy jako prach / jako popel - face as grey as dust // as ashes / cindereous), but sometimes they picture somet- hing nice in the human appearance (pći śede jako hvezdne nebe / jako morę / jako obld- zky - eyes as grey as an evening sky with stars / billowi pebbles).

 

Keywords:

parable, comparison, names of colours, names of colours and creativeness, źluta /yellow in Czech parables, śeda /grey in Czech parables

Becka J. V., 1992, Ćeska stylistika, Praha: Academia.

Ćechova M., Krćmova M., Minafova E., 2008, Soućasna stylistika, Praha: Nakladatelstvi Lidove noviny.

Čep J., 1991, Dvoji domov, Praha, Vyśehrad.

Ćep J., 1999, Polni trava, Praha, Vyśehrad.

Ćermak F., Blatna R. a kol., 2005, Jak vyuźivat Ćesky narodni korpus, Praha: Nakladatelstvl Lidove noviny.

Ćermak F., Filipec J., 1985, Ćeska lexikologie, Praha: Academia.

Ćermak F., Hronek J., Machać J. a kol., 1983, Slovnik ćeske frazeologie a idiomatiky. Prirovnani, Praha: Academia

Eisner, P., 1992, Chram i tvrz, Praha: Nakladatelstvi Lidove noviny (reprint vydani z r. 1946 v Praze nakladatelstvim J. Podrouźka)

Chloupek J., 1986, Dichotomie spisovnosti a nespisovnosti, Brno: Univerzita J. E. Purkyne.

Kfelinova R., 2007, Funkce a modifikace hovorovych frazemu v psane publicistice. - Klimova K., Minarova E. (eds.), Ćeśtina - Badani a ućeni, Brno: Masarykova univer- zita, s. 74—78.

Schulz K., 1998, Tvar neznameho a jineprozy, Trebić - Rosice u Brna: ArchaJimfa, Gloria.

Doklady (1)—(44) citovany z Ćeskeho narodniho korpusu (z korpusu SYN2000, SYN 2005, SYN2006PUB), pristupneho na adrese http://ucnk.IT.cuni.cz, pfevaźne z umeleckych textu.

Published
2021-02-03

Cited by

Kolářová , I. (2021). Nazvy barev vprirovndnich v textech soućasne ćestiny (na materiale Ceskeho ndrodmho korpusu). Stylistyka, 18, 253–261. Retrieved from https://czasopisma.uni.opole.pl/index.php/s/article/view/3539

Authors

Ivana Kolářová  

Statistics

Downloads

Download data is not yet available.


License

Copyright (c) 2009 Stylistyka

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

1. Copyrights to published works are held by the University of Opole (to the collective work) and the Authors (to individual parts of the collective work that have an independent meaning).

2. Only previously undistributed works can be published in the scientific journal "Stylistics".

3. The University of Opole does not restrict the possibility of the author's further dissemination of his work on condition that the scientific journal "Stylistics" is indicated as the original place of publication and the consent of the University Publishing House.

4. Consent to the publication of the work in the scientific journal "Stylistics" is tantamount to granting the author a non-exclusive license to the University of Opole, including the right to use the work without territorial restrictions and time limits in the following fields of exploitation:

a) within the scope of recording and multiplication of the work - production of any number of copies of the work in whole or in part using a specified technique, including printing, reprography, magnetic recording and digital technique, introduction of the work into computer memory and computer networks,

b) within the scope of circulation of the original or copies on which the work has been recorded - circulation, lending or hiring of the original or copies,

c) within the scope of dissemination of the work in a manner other than specified in item 2 - making the work or its abstract available on the Internet by enabling the recipients to access the work on-line or enabling them to download the work to their own device that makes it possible to read it, placing the work in electronic databases that disseminate scientific works, including in particular the CEEOL database (Central and Eastern Online Libray) and the abstract in English in the CEJSH database (The Central Europaen Journal of Social Scienes and Humanites).

d) within the scope of creating and distributing dependent works created using the work - using them in the fields of exploitation specified in points 1-3.

5. The author is not entitled to compensation for granting the license to the work.

6. The author agrees that the University may grant further permission to use the work (sublicense) in the fields of exploitation specified in par. 2 paragraph 4.

7. The author agrees that, in connection with the distribution of the work, his or her personal information, that is, name, affiliation, and e-mail address, may be made public.