Adresat v âzykovoj kommunikacii
N. I. Formanovskaâ
Abstract
The paper describes the parameters of verba I communication with the addressee playing
an active part as:
I ) the addresser's coauthor when choosing the topie, the style, the genre, the metalanguage
etc.;
2) the recipient, who receives, understands and interprets the message, and has common
background cultural knowledge and presuppositions with the addresser;
3) the respondent dependant on the preceding discourse/text;
The classification of the types of addressees is suggested.
Thus the addressee is regarded as an active, next to the addresser, participant of verbal
communication.
Keywords:
communication, interaction, co-author, addressee switchesReferences
Апресян Ю.Д., 1996, Дейксис е лексике u е грамматике и наивная модель мира, Избранные труды: Москва.
Борисова H.H., 2001, Русскийразгоеорный дишюг: проблема интегратиености, Екатер иибург.
Гаспаров Б.М., 1996, Язык. Память. Образ. Лингеистика языкоеого суще- стеоеания, Москва.
Звегинцев В.А., 1980, О цельнооформченноста единиц текста, «Известия АН СССР, Серия Л и Я.», 39, №1.
Кожина M.H., 1998, Речееедческш аспект теории языка, «Stylistyka» VIII, Opole.
Кожина M.H., 2003, CmwiucmiiKa u peueeedemie Ha современном этапе, «Стил», No 2.
Костомаров В.Г., 2005, Наш язьік в deucmeuu. Очерки соеременнои русской стшистики, Москва.
Крейдаин Г.В., 2002, Нееербачыная семиотика, Москва.
Полонский A.B., 1999, Категориальная и функциональная сущность адресатности, Москва.
Формановская Н.И., 2002, Речееое общение: ко^уникативно-прагматическии подход, Москва.
Authors
N. I. FormanovskaâStatistics
Downloads
License
Copyright (c) 2005 Stylistyka
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
1. Copyrights to published works are held by the University of Opole (to the collective work) and the Authors (to individual parts of the collective work that have an independent meaning).
2. Only previously undistributed works can be published in the scientific journal "Stylistics".
3. The University of Opole does not restrict the possibility of the author's further dissemination of his work on condition that the scientific journal "Stylistics" is indicated as the original place of publication and the consent of the University Publishing House.
4. Consent to the publication of the work in the scientific journal "Stylistics" is tantamount to granting the author a non-exclusive license to the University of Opole, including the right to use the work without territorial restrictions and time limits in the following fields of exploitation:
a) within the scope of recording and multiplication of the work - production of any number of copies of the work in whole or in part using a specified technique, including printing, reprography, magnetic recording and digital technique, introduction of the work into computer memory and computer networks,
b) within the scope of circulation of the original or copies on which the work has been recorded - circulation, lending or hiring of the original or copies,
c) within the scope of dissemination of the work in a manner other than specified in item 2 - making the work or its abstract available on the Internet by enabling the recipients to access the work on-line or enabling them to download the work to their own device that makes it possible to read it, placing the work in electronic databases that disseminate scientific works, including in particular the CEEOL database (Central and Eastern Online Libray) and the abstract in English in the CEJSH database (The Central Europaen Journal of Social Scienes and Humanites).
d) within the scope of creating and distributing dependent works created using the work - using them in the fields of exploitation specified in points 1-3.
5. The author is not entitled to compensation for granting the license to the work.
6. The author agrees that the University may grant further permission to use the work (sublicense) in the fields of exploitation specified in par. 2 paragraph 4.
7. The author agrees that, in connection with the distribution of the work, his or her personal information, that is, name, affiliation, and e-mail address, may be made public.