Published: 2024-06-21

L’opera d'arte cinematografica come trattato teologico-mistagogico.

Michał Legan
Liturgia Sacra. Liturgia - Musica - Ars
Section: Sztuka sakralna
DOI https://doi.org/10.25167/ls.5535

Tra Tarkovskij e Balthasar

Abstract

The aim of the present study is to probe the theological possibilities of film, whether therefore the technical and specific language reserved for film can bear the weight of mystagogy, the weight of the theological treatise. In order to analyse the language of film from the point of view of its theological possibilities, we will make use of a concrete test that could be called ‘comparative’. We must make use of this principle by analysing the works of authors so different from each other, so distant and yet so bound by mutual influences as Hans Urs von Balthasar and Andrej Tarkovskij.

Citation rules

Legan, M. (2024). L’opera d’arte cinematografica come trattato teologico-mistagogico.: Tra Tarkovskij e Balthasar. Liturgia Sacra. Liturgia - Musica - Ars, 63(1), 239–252. https://doi.org/10.25167/ls.5535
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