Abstract

The article is devoted to the problem of the so-called „cinematographicance” and purports to add the new aspects to this concept. We consider the traditional approach to the cinematographic style as to the subject of only aesthetic, but not linguistics, to be ineffective. Therefore some new concepts („syntactic composition”, „compositive”, „text dynamics”) have been introduced. The work is based on the analysis of the prose of A. Belyi and contains a large number of illustrations. Principles of creating his prose, the reproduction of different relations of the outer world in the syntactic form, the literary montage as the factor of text-organization - are revealed in the article.