Abriss E. (2017). Channing Tatum Told Us About 'Comrade Detective' , the Weirdest Show of 2017, https://www.vice.com/en_us/article/a3expg/channing-tatum-told-us-about-comrade-detectivethe-weirdest-show-of-2017.
Google Scholar
Connell R. W., & Messerschmidt, J. W. (2005). Hegemonic Masculinity: Rethinking the Concept. Gender & Society, 19, 829-859, [w:] E. Durys, Kulturowy wymiar amerykańskiego kina policyjnego.
Google Scholar
Chow B. (2014). The Tickling Object: On Žižek and Comedy. [w:] B. Chow (red..) Žižek and Performance, London: Palgrave Macmilian.
Google Scholar
Dawidziak M. (2017). Amazon's 'Comrade Detective' is Effective Satire,
Google Scholar
https://www.cleveland.com/tvblog/index.ssf/2017/07/amazons_comrade_detective_is_effective_sati re.html (10.06.2018).
Google Scholar
Dentith S. (2000). Parody: The New Critical Idiom, New York: Routledge.
Google Scholar
Durys E. (2016). Kulturowy wymiar amerykańskiego kina policyjnego, [w:] T. Domański (red.) „Międzynarodowe studia polityczne i kulturowe wobec wyzwań współczesności”, Łódź: Wydawnictwo Uniwersytetu Łódzkiego.
Google Scholar
Dziemidok B. (2012). The Comical: A Philosophical Analysis, Dordrecht: Springer Science & Business Media.
Google Scholar
Faurholt G. (2009). Self as Other: The Doppelgänger. Double Dialogues 10, http://www.doubledialogues.com/issue_ten/faurholt.html (6.04.2018), [w:] E. Durys, Kulturowy wymiar amerykańskiego kina policyjnego.
Google Scholar
Glover A. (2017). The Making of Comrade Detective, http://www.indiewire.com/2017/08/josephgordon-levitt-comrade-detective-controversy-exclusive-1201865653/ (04.06.2018).
Google Scholar
Goddard M. (2006). We Are Time: Laibach/nsk, Retro-Avant-Gardism and Machinic Repetition.Angelaki: Journal of Theoretical Humanities, 11, 45-53.
Google Scholar
Gordon-Levitt J. (2017). Amazon's Comrade Detective Doesn't Belong to the Right, or Left, http://www.indiewire.com/2017/08/joseph-gordon-levitt-comrade-detective-controversy-exclusive-1201865653/ (4.06.2018).
Google Scholar
Hanley J.J. (2004). „The Land of Rape and Honey”: The Use of World War II Propaganda in the Music Videos of Ministry and Laibach, American Music 22, 158-175.
Google Scholar
Hegel G.W.F. (2011). Wykłady o Estetyce, [w:] B. Dziemidok, M. Bokiniec (red.) O komizmie.Antologia tekstów, Gdańsk: Słowo/obraz terytoria.
Google Scholar
Heller, A. (2012). Przygodność, [w:] tejże, Eseje o nowoczesności, Toruń: Wydawnictwo Naukowe UMK.
Google Scholar
Hoesterey I. (2001). Pastiche: Cultural Memory in Art, Film, Literature, Bloomington: Indiana University Press.
Google Scholar
Hutcheon L. (1985). A Theory of Parody: The Teachings of Twentieth-Century Art Forms,Chicago: University of Illinois Press.
Google Scholar
Jameson F. (1985). Postmodernism and Consumer Society, [w:] H. Foster (red.), Postmodern Culture, London: Pluto Press.
Google Scholar
Krutnik F. (2006). In a Lonely Street: Film Noir, Genre, Masculinity. New York: Routledge.
Google Scholar
Naremore J. (1995). American Film Noir: the History of an Idea. Film Quarterly, 49, 12-28.
Google Scholar
McGowan T. (2008). Realne spojrzenie, Teoria filmu po Lacanie. Warszawa: Wydawnictwo Krytyki Politycznej.
Google Scholar
Pehe V. (2014). Retro Reappropriations. Responses to 'The Thirty Cases of Major Zeman' in the Czech Republic. VIEW Journal of European Television History and Culture, 5, 100-107.
Google Scholar
Peltz C. (2017). The Creators of 'Comrade Detective' Have Penchant for the Absurd, https://filmschoolrejects.com/interview-comrade-detective-creators/ (10.06.2018).
Google Scholar
Pohrib C. (2017). Comrade Detective, Vouyerism, and the Americans, „Scena 9”, https://www.scena9.ro/en/article/comrade-detective-essay-communist-romania (4.06.2018).
Google Scholar
Poniewozik J. (2017). Nostalgia Goes Niche, https://www.nytimes.com/2017/08/03/arts/television/wet-hot-american-summer-comrade-detectivetv-review.html (4.06.2018).
Google Scholar
Postman N. (2006). Amusing ourselves to death: Public Discourse in the Age of Show Business,London:Penguin.
Google Scholar
Roche M. W. (2002). Hegel's Theory of Comedy in the Context of Hegelian and Modern Reflections on Comedy. Revue internationale de philosophie 3, 411-430.
Google Scholar
Schildhause Ch. (2017). What the Hell is Comrade Detective? https://www.vanityfair.com/hollywood/2017/08/comrade-detective-amazon-channing-tatumcommunist-propaganda (6.04.2018).
Google Scholar
Zupancic A. (2008). The Odd One In: On Comedy, Cambridge: Cambridge University Press.
Google Scholar
Żiżek S. (2013). Why Laibach and NSK are not Fascists?http://xenopraxis.net/readings/zizek_laibach.pdf (4.06.2018).
Google Scholar