Wizualizacja w dyskursie perswazyjnym (na materiale prasy młodzieżowej)
Magdalena Skowrońska
Abstract
Persuasive discourse observed in youth magazines occurs not only on the verbal level. The article shows the role that visualization plays in the context of persuasive discourse. The main tool of influence is language, however the composition of youth magazines, in
which the visual component dominates over the verbal layer, is deliberate. The composition has been adjusted to the needs and expectations of the teenage target reader, whose perceptive abilities were shaped mostly by visual mass culture. For the magazine recipient photography is the component which articulates the most, subsequently to language.
Modern magazines have a very expanded visual stratum, actually, in numerous magazines it even overshadows the text. Glossy magazines have a trait of hybridity and their characteristic feature is the possibility to read and watch simultaneously, as the message does not only restrain itself to the text, but is also transmitted through photographs. The new style of communication is thus accompanied by a shift in the text–image affiliation. Photography in the context of persuasive discourse conducted in magazines, plays as significant a role as the verbal constituent. Focusing on the persuasive influence of the visual layer of magazines, the article discusses the role of photography
treated as a supplement of the text, but also as an independent statement.
Keywords:
visualization, photography, persuasive discourse, youth magazinesReferences
Barthes R., 1996, Światło obrazu. Uwagi o fotografii, Warszawa.
Czartoryska U., 2005, Fotografia – mowa ludzka. Perspektywy teoretyczne, Gdańsk.
Drozdowski R., 2004, Socjologie wizualne i ich dylematy. – Kadrowanie rzeczywistości.
Szkice z socjologii wizualnej, red. J. Kaczmarek, Poznań.
Eco U., 2003, Nieobecna struktura, Warszawa.
Garncarek M., 2005, Instrukcja obsługi obrazu – o podpisach pod fotografiami prasowymi. – Przestrzenie fotografii. Antologia tekstów, red. T. Ferenc, K. Makowski, Łódź.
Magala S., 2000, Szkoła widzenia, czyli świat w subiektywie aparatu fotograficznego, Wrocław.
Nowakowski P. T., 2004, Modele człowieka propagowane w wybranych czasopismach młodzieżowych. Analiza antropologiczno-etyczna, Tychy.
Olechnicki K., 2003, Antropologia obrazu, Warszawa.
Petrowa-Wasilewicz A., 1997, Świat jako nieustająca balanga, „Więź”, 2, s. 54–62.
Piekot T., 2006a, Werbalizacja i wizualizacja w dyskursie wiadomości prasowych. – Ikoniczność znaku. Słowo – przedmiot – obraz – gest, red. E. Tabakowska, Kraków.
Piekot T., 2006b, Dyskurs polskich wiadomości prasowych, Kraków.
Rouillé A., 2007, Fotografia. Między dokumentem a sztuką współczesną, Kraków.
Smól J., 2006, Język i obraz w fotoopowieściach z prasy młodzieżowej. – Język a kultura, t. 18: Wielokulturowość w języku, red. A. Dąbrowska, A. Burzyńska-Kamieniecka, Wrocław.
Sontag S., 1986, O fotografii, Warszawa.
Szulich-Kałuża J., 2007, Wizualizacja modelu rodziny. Socjologiczna analiza fotografii prasowych „Gazety Wyborczej” i „Polityki”. – Kultura – media – społeczeństwo. Księga Jubileuszowa ku czci Ojca Profesora Leona Dyczewskiego OFMConr, red D. Wadowski, Lublin.
Świątek J., 2007, Obraz jako element struktury argumentacyjnej – kilka uwag na temat funkcji warstwy wizualnej przekazów reklamowych. – Język a komunikacja, t. 17: Język polski XXI wieku: analizy, oceny, perspektywy, red. G. Szpila, Kraków.
Toczyński Z., 2002, Prawda w fotografii. – Nowe media w komunikacji społecznej w XX wieku. Antologia, red. M. Hopfinger, Warszawa.
Witosz B., 2009, Dyskurs i stylistyka, Katowice.
Wolny-Zmorzyński K., 2006, Fotograficzne gatunki dziennikarskie, „Zeszyty Prasoznawcze”, 1–2, s. 63–75.
Wolny-Zmorzyński K., 2007a, Fotograficzne gatunki dziennikarskie, Warszawa.
Wolny-Zmorzyński K., 2007b, Rzeczywistość zatrzymana w kadrze, czyli semiotyka obrazu fotograficznego. – Kultura – media – społeczeństwo. Księga Jubileuszowa ku czci Ojca Profesora Leona Dyczewskiego OFMConr, red. D. Wadowski, Lublin.
Authors
Magdalena SkowrońskaStatistics
Downloads
License
Copyright (c) 2013 Stylistyka
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
1. Copyrights to published works are held by the University of Opole (to the collective work) and the Authors (to individual parts of the collective work that have an independent meaning).
2. Only previously undistributed works can be published in the scientific journal "Stylistics".
3. The University of Opole does not restrict the possibility of the author's further dissemination of his work on condition that the scientific journal "Stylistics" is indicated as the original place of publication and the consent of the University Publishing House.
4. Consent to the publication of the work in the scientific journal "Stylistics" is tantamount to granting the author a non-exclusive license to the University of Opole, including the right to use the work without territorial restrictions and time limits in the following fields of exploitation:
a) within the scope of recording and multiplication of the work - production of any number of copies of the work in whole or in part using a specified technique, including printing, reprography, magnetic recording and digital technique, introduction of the work into computer memory and computer networks,
b) within the scope of circulation of the original or copies on which the work has been recorded - circulation, lending or hiring of the original or copies,
c) within the scope of dissemination of the work in a manner other than specified in item 2 - making the work or its abstract available on the Internet by enabling the recipients to access the work on-line or enabling them to download the work to their own device that makes it possible to read it, placing the work in electronic databases that disseminate scientific works, including in particular the CEEOL database (Central and Eastern Online Libray) and the abstract in English in the CEJSH database (The Central Europaen Journal of Social Scienes and Humanites).
d) within the scope of creating and distributing dependent works created using the work - using them in the fields of exploitation specified in points 1-3.
5. The author is not entitled to compensation for granting the license to the work.
6. The author agrees that the University may grant further permission to use the work (sublicense) in the fields of exploitation specified in par. 2 paragraph 4.
7. The author agrees that, in connection with the distribution of the work, his or her personal information, that is, name, affiliation, and e-mail address, may be made public.
Most read articles by the same author(s)
- Magdalena Skowrońska, Linguistic Strategies o f Persuasive Influence in Youth Magazines , Stylistyka: Vol. 19 (2010): Style a media