Zatrzymać czas. O językowych i tekstowych sposobach kształtowania czasu w utworach poetyckich
Teresa Dobrzyńska
Abstract
The concept of time reveals its complex naturę. It has been encoded in the structure of language in many different ways and it is also permanently present in the discourse. Due to its anthropological character, it is strongly related to the domain of human feelings and imagination. So the time is not simply measured, but it is experienced and lived by as well. As a factor of many different acts, the time undergoes various mental operations. In several types of utterances the concept of time happens to be transformed in some charac- teristic ways: it might be reduced or stopped and one may experience an illusion of time- lessness. Modifications of this kind are being introduced in some special sentence and text structures. Though such constructs might be used in every day speech and in some other kinds of discourse, i.e. in advertisements, they are specific for three types of poetry: poetic meditations, reflective considerations, and lyrical descriptions. The time can also be apparently stopped in the narrative poems, with their specific temporal structures con- nected to the plot. It happens when they are constructed in a particular way undergoing the rule of semantic loop.In this paper some examples of such apparent time flow arrests are discussed as well as their specific functions in poetry.
Keywords:
time, present tense, repetition, parallelism, poetry, text structure, meditation, description, considerationReferences
Czas w kulturze, 1988, wybór, oprać, i wstęp A. Zajączkowska, Warszawa.
Dąbrowski S., 1989, Medytacja (Studium genologiczne), „Przegląd Humanistyczny” nr 4,5. Dobrzyńska T., 2003, Od zamkniętego tekstu do nieskończoności (uwagi przy lekturze wiersza Adama Mickiewicza „Aryman i Oromaz”). — idem, Tekst — styl — poetyka, Kraków.
Gralewicz-Wolny I., 2005, „Życie/prze” — o najkrótszym wierszu Mirona Białoszewskiego. - Skala mikro w badaniach literackich, red. A. Nawarecki, M. Bogdanowska, Katowice.
Grądziel J., 1998, Miron Białoszewski: „ Prawo smaku rzeczy nieobecnych ”. — Literatura wobec niewyobrażalnego, red. W. Bolecki, E. Kuźma, Warszawa.
Hall E.T., 1984, Poza kulturą, Warszawa.
Hall E.T., 1999, Taniec życia, przeł. R. Nowakowski, Warszawa.
Jakobson R., 1989, Paralelizm gramatyczny i jego aspekt rosyjski. - idem, W poszukiwaniu istoty języka, wybór, red. naukowa i wstęp M. R. Mayenowa, t. 1-2, Warszawa.
Językowy obraz świata, 1999, red. J. Bartmiński, wyd. 2. popr., Lublin.
Kubiak Z., 1999, Literatura Greków i Rzymian, Warszawa.
Lakoff G., Johnson M., 1988, Metafory w naszym życiu, przeł. T.P. Krzeszowski, Warszawa.
Niebrzegowska S., 1998, Pętla semantyczna w paradygmacie spójnościowym. — Tekst. Problemy teoretyczne, red. J. Bartmiński, B. Boniecka, Lublin.
Pajdzińska A., 1993, Definicje poetyckie. - O definicjach i definiowaniu, red. J. Bartmiński, R. Tokarski, Lublin.
Pajdzińska A., 1995, Dzieci Heraklita. (Poeci o czasie). - Kreowanie świata w tekstach, red. A. M. Lewicki, R. Tokarski, Lublin.
Profilowanie pojęć. Wybór prac, 1993, red. J. Bartmiński, Lublin.
Profilowanie w języku i w tekście, 1998, red. J. Bartmiński, R. Tokarski, Lublin.
Puzynina J., 1997, Człowiek - język - wartość. - idem, Słowo - wartość - kultura, Lublin. Słomka W., 1984, Medytacja, Lublin.
Słownik pojęć i tekstów kultury. Terytoria słowa, 2002, red. E. Szczęsna, oprać, zespół, wyd. 2., Warszawa.
Witosz B., 1997, Opis w prozie narracyjnej na tle innych rodzajów deskrypcji, Katowice.
Authors
Teresa DobrzyńskaStatistics
Downloads
License
Copyright (c) 2007 Stylistyka
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
1. Copyrights to published works are held by the University of Opole (to the collective work) and the Authors (to individual parts of the collective work that have an independent meaning).
2. Only previously undistributed works can be published in the scientific journal "Stylistics".
3. The University of Opole does not restrict the possibility of the author's further dissemination of his work on condition that the scientific journal "Stylistics" is indicated as the original place of publication and the consent of the University Publishing House.
4. Consent to the publication of the work in the scientific journal "Stylistics" is tantamount to granting the author a non-exclusive license to the University of Opole, including the right to use the work without territorial restrictions and time limits in the following fields of exploitation:
a) within the scope of recording and multiplication of the work - production of any number of copies of the work in whole or in part using a specified technique, including printing, reprography, magnetic recording and digital technique, introduction of the work into computer memory and computer networks,
b) within the scope of circulation of the original or copies on which the work has been recorded - circulation, lending or hiring of the original or copies,
c) within the scope of dissemination of the work in a manner other than specified in item 2 - making the work or its abstract available on the Internet by enabling the recipients to access the work on-line or enabling them to download the work to their own device that makes it possible to read it, placing the work in electronic databases that disseminate scientific works, including in particular the CEEOL database (Central and Eastern Online Libray) and the abstract in English in the CEJSH database (The Central Europaen Journal of Social Scienes and Humanites).
d) within the scope of creating and distributing dependent works created using the work - using them in the fields of exploitation specified in points 1-3.
5. The author is not entitled to compensation for granting the license to the work.
6. The author agrees that the University may grant further permission to use the work (sublicense) in the fields of exploitation specified in par. 2 paragraph 4.
7. The author agrees that, in connection with the distribution of the work, his or her personal information, that is, name, affiliation, and e-mail address, may be made public.
Most read articles by the same author(s)
- Teresa Dobrzyńska, Metafora w dyskursie politycznym , Stylistyka: Vol. 18 (2009): Styl i kreatywność - Style and Creativity
- Teresa Dobrzyńska, Language Play as a Form of Persuasion in the Public Discourse , Stylistyka: Vol. 17 (2008): Znaczenie i styl
- Teresa Dobrzyńska, From a Closed Text to Infinity (Reading A. Mickiewicz’s Poem "Aryman i Oromaz") , Stylistyka: Vol. 7 (1998): Slavic Stylistics
- Teresa Dobrzyńska, Text Analysis - a New Inspiration for Stylistic Research , Stylistyka: Vol. 1 (1992): Stylistics today
- Teresa Dobrzyńska, List do Redakcji "Stylistyki" , Stylistyka: Vol. 23 (2014): Dyskurs i styl
- Teresa Dobrzyńska, Lucylla Pszczołowska (1924-2010) , Stylistyka: Vol. 19 (2010): Style a media
- Teresa Dobrzyńska, Profesor Lucylla Pszczołowska — wybitna badaczka wiersza polskiego i słowiańskiego , Stylistyka: Vol. 18 (2009): Styl i kreatywność - Style and Creativity
- Teresa Dobrzyńska, Connotations o f Proper Names in Intercultural Contacts , Stylistyka: Vol. 11 (2002): Stylistics and Poetics
