Genre o f Speech’s Semantic Dominant (on Example o f Negation in Spoken Complaint)
Katarzyna Wyrwas
Abstract
In the article author presents some remarks about genres dominants which can be structural and semantic «..nd. Text structural dominant .s usually possible to reconstruct, constant construction pattern. Semantic dominant is not so easy to find because it? in[1]dexes are not shown on the text surface - they may often be hidden in semantic structure of words. Spoken complaint is the best genre to show semantic dominant because in com[1]plaint speaker expresses the negative emotions and the ubiquitous negation that is conta[1]ined in words or in they semantic structure, in spoken compli mts there are plenty of nega[1]tive pron"uns and particles, many contrasting syntactic constructions, comparisons and exclamations with negative character, rhetorical questions, antonyms and repetition of negative characterized words.
Keywords:
genre, genre dominant, structural and semantic dominant, spoken complaintAuthors
Katarzyna WyrwasStatistics
Downloads
License
1. Copyrights to published works are held by the University of Opole (to the collective work) and the Authors (to individual parts of the collective work that have an independent meaning).
2. Only previously undistributed works can be published in the scientific journal "Stylistics".
3. The University of Opole does not restrict the possibility of the author's further dissemination of his work on condition that the scientific journal "Stylistics" is indicated as the original place of publication and the consent of the University Publishing House.
4. Consent to the publication of the work in the scientific journal "Stylistics" is tantamount to granting the author a non-exclusive license to the University of Opole, including the right to use the work without territorial restrictions and time limits in the following fields of exploitation:
a) within the scope of recording and multiplication of the work - production of any number of copies of the work in whole or in part using a specified technique, including printing, reprography, magnetic recording and digital technique, introduction of the work into computer memory and computer networks,
b) within the scope of circulation of the original or copies on which the work has been recorded - circulation, lending or hiring of the original or copies,
c) within the scope of dissemination of the work in a manner other than specified in item 2 - making the work or its abstract available on the Internet by enabling the recipients to access the work on-line or enabling them to download the work to their own device that makes it possible to read it, placing the work in electronic databases that disseminate scientific works, including in particular the CEEOL database (Central and Eastern Online Libray) and the abstract in English in the CEJSH database (The Central Europaen Journal of Social Scienes and Humanites).
d) within the scope of creating and distributing dependent works created using the work - using them in the fields of exploitation specified in points 1-3.
5. The author is not entitled to compensation for granting the license to the work.
6. The author agrees that the University may grant further permission to use the work (sublicense) in the fields of exploitation specified in par. 2 paragraph 4.
7. The author agrees that, in connection with the distribution of the work, his or her personal information, that is, name, affiliation, and e-mail address, may be made public.
Most read articles by the same author(s)
- Katarzyna Wyrwas, Mind and heart - memory in selected Indo-European languages , Stylistyka: Vol. 28 (2019): Styl i pamięć
- Katarzyna Wyrwas, Wielojęzyczność w reklamie - nadawca i narracja , Stylistyka: Vol. 12 (2003): Wielojęzyczność a styl - Multilingualism and Style
- Katarzyna Wyrwas, Językowe sposoby wyrażania punktu kulminacyjnego w opowiadaniach potocznych , Stylistyka: Vol. 23 (2014): Dyskurs i styl
- Katarzyna Wyrwas, Same Remarks on Women's- and Men's- Style of Storytelling , Stylistyka: Vol. 13 (2004): Style and Gender
- Katarzyna Wyrwas, Kawał a narracja , Stylistyka: Vol. 10 (2001): Stylistyka dziś - Style and Humour - Stil' i ûmor
- Katarzyna Wyrwas, Skarga potoczna w strukturze narracyjnej , Stylistyka: Vol. 14 (2005): Stylistyka i Kożyna - Stylistics and Kozhina
- Katarzyna Wyrwas, The Struckture of Speech Complaint , Stylistyka: Vol. 9 (2000): Czech Stylistics
- KATARZYNA WYRWAS, Język i styl powieści pt. Pokraj Andrzeja Saramonowicza – rekonesans , Stylistyka: Vol. 32 No. 32 (2023): Stylistyka